
| Amy Bitterman | Breeding Grounds |
| Donna Luff | Sirens and Roses, a memoir |
| Doc Suds | Ebisu; Back Then; Lupus |
| Moazzam Sheikh | Invisible Strands |
| Jory Post | Worm Tag |
| Geffrey Davis | A Third Grader Draws Texas; What I Mean When I Say Chinook Salmon |
| Alfredo Vea | Every Goat On Earth |
| Douglas Cole | The Lie Detector |
| Richard Lange | The Golden Opportunity |
| Yumi Wilson | The Dog Park, an essay |
| Spencer Golub and David Hancock | Peoria |
| Karen Kates | Dunk Tank |
| Christopher T. Anderson | Haphephobia: The Fear of Being Touched; Heaven, A Tour |
| G.H. Smith | The Gravity of Desire |
| Mark Wisniewski | Tender |
| Robert Savino Oventile | How The Flowers Fall, an essay |
| William L. Alton | Civilization; Collard Greens in the Middle of the Night |
| Sherrie Flick | Horizon |
| Robert Yune | April First |
| Sjohnna McCray | Bedtime Story #1; Midlife Crisis in Boots |
| Susie Mee | RUBYRUBYRUBY |
| Julianne Hill | Kudzu |
| David James Keaton | Egg Tooth |
| Nancy Lord | It Takes A Wolf |
| Michael Bazzett | Stephen |
| Thomas Brian | Provincials |
| Kimberly Farrar | Dear Pluto |
Chicago Quarterly Review was founded in 1995 to publish both emerging and established writers and, by doing so, encourage them in the development of their craft. By publishing the finest short stories, poems, photographs, and essays we hope to provide readers with work that stimulates, entertains, and inspires.
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This engaging anthology of short fiction, essays, poetry, photography, and more illuminates the interconnected past of the U.S. and Japan, from WWII up to 2011′s earthquake. Ryuta Imafuku’s essay, “Nagasaki. And Scattered Islets of Time,” is a walk through the suspended reality of post-atomic Nagasaki, accompanied by Shomei Tomatsu’s powerful photos of burn victims, detritus, and seared bamboo stalks. Deni Y. Béchard’s story, “The Deleted Line,” tells of Yukio, a translator who censors a textbook regarding the Battle of Okinawa and is subsequently reprimanded by an old karate master, who explains that to erase the past is “like saying we must let go of our minds, of our spirits.” “The Emperor and the Mayor” is Stephen Woodhams’ candid interview with Hitoshi Motoshima, former mayor of Nagasaki, who was castigated by some for blaming Emperor Shōwa for Japan’s role in WWII. Hiroshi Fukurai’s “Disaster Memories” investigates the radioactive threat of the recently damaged Fukushima Nuclear Power Plant, and Noboru Tokuda’s beautifully illustrated diary from his stint as a young soldier in the Imperial Army during WWII is particularly moving. McKenzie’s (MacGregor Tells the World) collection is a stunning testament to a country’s literal rise from the ashes–casual readers and academics alike will find many of these selections rewarding and informative. Photos & illus. (Sept.)
http://www.publishersweekly.com/978-0-9847788-0-5
The Printer’s Row Lit Fest is considered the largest free outdoor literary event in the Midwest-drawing more than 125,000 book lovers to the two-day show.
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